The Unfinished Story (2016)

The video installation stems from a theoretical exploration of cinematic narrative. Employing the language of film and its smallest building blocks, it strives to assemble a tale from fragments—individual moments deliberately excised and manipulated away from the scene’s continuous reality. The chosen camera work purposefully depersonalises the characters, preventing the viewer’s direct identification. Repeating loops merely hint at events that interweave in measured rhythm, forming a multilayered, open narrative structure that the spectator must complete on their own.